{"title":"Prints \u0026 Posters","description":"\u0026lt;p\u0026gt;Framed-ready art prints and posters for quiet, considered walls — Nordic restraint meets Japanese craft.\u0026lt;\/p\u0026gt;","products":[{"product_id":"view-of-rooftops","title":"View of Rooftops — Morton Schamberg, 1917","description":"\u003cp\u003eMorton Schamberg photographed View of Rooftops in 1917, looking down over New York from an elevated window. There are no people in it and nothing growing, only roofline, parapet and shadow arranged into what the Metropolitan Museum of Art describes as an almost wholly geometric order. Schamberg moved in the Stieglitz circle and absorbed Cubism early, and this is the cool, hard-edged end of that influence. It is the only print he ever made from the negative, and it belonged for years to his closest collaborator, Charles Sheeler. Schamberg died the following year in the influenza pandemic.\u003c\/p\u003e\u003cp\u003eWhat it offers a wall is structure. Where most photography of this period went soft and atmospheric, this one is all edge and interval, closer to a drawing than a picture. It holds its own against clean lines, plaster and pale wood, and it rewards the kind of looking where you keep finding another rectangle.\u003c\/p\u003e\u003cp\u003eEach piece is printed to order and stretched over a 1.25 inch solid wood frame, with the image continuing around the edges. It arrives ready to hang, no framing required, in two vertical sizes cut close to the proportions of the original print. The source file is an open-access reproduction of a photograph now in the public domain.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMedium: matte canvas, stretched over a 1.25 inch solid wood frame\u003c\/li\u003e\n\u003cli\u003eOrientation: vertical\u003c\/li\u003e\n\u003cli\u003eSizes: 16×20in, 24×30in\u003c\/li\u003e\n\u003cli\u003eFinish: monochrome reproduction, matte surface\u003c\/li\u003e\n\u003cli\u003eHanging: arrives ready to hang, no frame required\u003c\/li\u003e\n\u003cli\u003eArtwork: Morton Schamberg, View of Rooftops, 1917, gelatin silver print\u003c\/li\u003e\n\u003cli\u003eOriginal held by the Metropolitan Museum of Art, Ford Motor Company Collection\u003c\/li\u003e\n\u003cli\u003ePrinted to order, shipped from the nearest production partner\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Printify","offers":[{"title":"16\" x 20\" (Vertical) \/ 1.25\"","offer_id":46550271656033,"sku":"10479660772513595362","price":119.99,"currency_code":"CAD","in_stock":true},{"title":"24\" x 30\" (Vertical) \/ 1.25\"","offer_id":46550271688801,"sku":"33949523552721765842","price":169.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/2784\/1889\/files\/18128875348178354815_2048.jpg?v=1789367159"},{"product_id":"the-spiders-web","title":"The Spider's Web — Anne W. Brigman, 1908","description":"\u003cp\u003eAnne W. Brigman made The Spider's Web in 1908, at the height of her association with Alfred Stieglitz and the Photo-Secession. A woman floats weightless inside a textured veil, the space around her deliberately hard to read. Curators at the Metropolitan Museum of Art, which holds this print through the Stieglitz bequest, connect it to traditions in which the spider stands for female creative power, possibly to the Lakota figure Iktomi. Brigman built an entire body of work from hybrids of human, plant and animal form.\u003c\/p\u003e\u003cp\u003eIt is an unusually quiet image for something so strange. The tonal range stays narrow, the veil dissolves any hard edge, and the eye never quite settles on a horizon. On a wall it behaves less like a photograph of a person and more like weather, reading differently depending on the light in the room. It suits a space that wants depth rather than a focal point.\u003c\/p\u003e\u003cp\u003eEach piece is printed to order and stretched over a 1.25 inch solid wood frame, with the image continuing around the edges. It arrives ready to hang, no framing required, in three vertical sizes. The source file is an open-access reproduction of a photograph now in the public domain, and the original print remains in the Museum's collection.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMedium: matte canvas, stretched over a 1.25 inch solid wood frame\u003c\/li\u003e\n\u003cli\u003eOrientation: vertical\u003c\/li\u003e\n\u003cli\u003eSizes: 12×18in, 16×24in, 24×36in\u003c\/li\u003e\n\u003cli\u003eFinish: monochrome reproduction, matte surface\u003c\/li\u003e\n\u003cli\u003eHanging: arrives ready to hang, no frame required\u003c\/li\u003e\n\u003cli\u003eArtwork: Anne W. Brigman, The Spider's Web, 1908, gelatin silver print\u003c\/li\u003e\n\u003cli\u003eOriginal held by the Metropolitan Museum of Art, Alfred Stieglitz Collection\u003c\/li\u003e\n\u003cli\u003ePrinted to order, shipped from the nearest production partner\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Printify","offers":[{"title":"12″ x 18″ (Vertical) \/ 1.25\"","offer_id":46550275063905,"sku":"12942200264672348292","price":99.99,"currency_code":"CAD","in_stock":true},{"title":"16″ x 24″ (Vertical) \/ 1.25\"","offer_id":46550275096673,"sku":"30459212402761857238","price":129.99,"currency_code":"CAD","in_stock":true},{"title":"24\" x 36\" (Vertical) \/ 1.25\"","offer_id":46550275129441,"sku":"27896105631055708171","price":174.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/2784\/1889\/files\/18439412046114721512_2048.jpg?v=1789367266"},{"product_id":"incantation","title":"Incantation — Anne W. Brigman, 1905","description":"\u003cp\u003eAnne W. Brigman made Incantation in 1905, high in California's Sierra Nevada, hauling a view camera to altitudes almost no photographer of her generation attempted. The Metropolitan Museum of Art, which holds this print through the Alfred Stieglitz bequest, describes it as a poetic evocation of a high priestess of nature: a single figure gathered into the rock and weathered pine of the range itself. A year later Brigman became the only photographer west of the Mississippi elected to Fellowship in the Photo-Secession.\u003c\/p\u003e\u003cp\u003eWhat makes it hold a wall is restraint. The tonal range is narrow and the composition leaves the figure room to breathe, so the image reads as atmosphere rather than subject, closer to a landscape than a portrait. It settles against warm neutrals, unfinished wood and linen without competing with the room around it.\u003c\/p\u003e\u003cp\u003eEach piece is printed to order and stretched over a 1.25 inch solid wood frame, with the image continuing around the edges. It arrives ready to hang, no framing required, in three vertical sizes, from a twelve by eighteen inch study to a twenty-four by thirty-six inch statement piece. The source file is an open-access reproduction of a photograph now in the public domain, and the original print remains in the Museum's collection.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMedium: matte canvas, stretched over a 1.25 inch solid wood frame\u003c\/li\u003e\n\u003cli\u003eOrientation: vertical\u003c\/li\u003e\n\u003cli\u003eSizes: 12×18in, 16×24in, 24×36in\u003c\/li\u003e\n\u003cli\u003eFinish: monochrome reproduction, matte surface\u003c\/li\u003e\n\u003cli\u003eHanging: arrives ready to hang, no frame required\u003c\/li\u003e\n\u003cli\u003eArtwork: Anne W. Brigman, Incantation, 1905, gelatin silver print\u003c\/li\u003e\n\u003cli\u003eOriginal held by the Metropolitan Museum of Art, Alfred Stieglitz Collection\u003c\/li\u003e\n\u003cli\u003ePrinted to order, shipped from the nearest production partner\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Printify","offers":[{"title":"12″ x 18″ (Vertical) \/ 1.25\"","offer_id":46550303768673,"sku":"28016381259427889020","price":99.99,"currency_code":"CAD","in_stock":true},{"title":"16″ x 24″ (Vertical) \/ 1.25\"","offer_id":46550303801441,"sku":"12418827654250888466","price":129.99,"currency_code":"CAD","in_stock":true},{"title":"24\" x 36\" (Vertical) \/ 1.25\"","offer_id":46550303834209,"sku":"21446957086115517250","price":174.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/2784\/1889\/files\/9084203273499497745_2048.jpg?v=1789369595"},{"product_id":"the-bubble","title":"The Bubble — Clarence H. White, 1898","description":"\u003cp\u003eClarence H. White made The Bubble in 1898 and pulled this particular print in 1905, in platinum. He was a founding member of the Photo-Secession alongside Alfred Stieglitz, and this print came to the Metropolitan Museum of Art through the Stieglitz collection in 1933. White later founded a school of photography whose students included Paul Strand, Dorothea Lange and Margaret Bourke-White, which makes him one of the more quietly consequential figures in American photography.\u003c\/p\u003e\u003cp\u003ePlatinum is the reason work like this still looks the way it does. The image sits into the fibre of the paper rather than on top of it, giving a long, gentle tonal scale with no hard black and no glare. White built his reputation on unhurried domestic light, and the restraint of the process suits it: nothing is forced, and the picture rewards standing closer rather than further away.\u003c\/p\u003e\u003cp\u003eEach piece is printed to order and stretched over a 1.25 inch solid wood frame, with the image continuing around the edges. It arrives ready to hang, no framing required, in two vertical sizes cut close to the proportions of the original print. The source file is an open-access reproduction of a photograph now in the public domain.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMedium: matte canvas, stretched over a 1.25 inch solid wood frame\u003c\/li\u003e\n\u003cli\u003eOrientation: vertical\u003c\/li\u003e\n\u003cli\u003eSizes: 16×20in, 24×30in\u003c\/li\u003e\n\u003cli\u003eFinish: monochrome reproduction, matte surface\u003c\/li\u003e\n\u003cli\u003eHanging: arrives ready to hang, no frame required\u003c\/li\u003e\n\u003cli\u003eArtwork: Clarence H. White, The Bubble, 1898, printed 1905, platinum print\u003c\/li\u003e\n\u003cli\u003eOriginal held by the Metropolitan Museum of Art, Alfred Stieglitz Collection\u003c\/li\u003e\n\u003cli\u003ePrinted to order, shipped from the nearest production partner\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Printify","offers":[{"title":"16\" x 20\" (Vertical) \/ 1.25\"","offer_id":46550306259041,"sku":"40419766068603186605","price":119.99,"currency_code":"CAD","in_stock":true},{"title":"24\" x 30\" (Vertical) \/ 1.25\"","offer_id":46550306291809,"sku":"34061236374875894534","price":169.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/2784\/1889\/files\/14060719514149648530_2048.jpg?v=1789369854"},{"product_id":"thaw","title":"Thaw — Anne W. Brigman, 1906","description":"\u003cp\u003eAnne W. Brigman made Thaw in 1906, the year she became the only photographer working west of the Mississippi to be elected to Fellowship in the Photo-Secession. She spent her summers carrying a view camera into the high Sierra Nevada and built a body of work there that set the human figure into rock, water and weathered pine rather than against them. Alfred Stieglitz kept this print, and it came to the Metropolitan Museum of Art with his collection in 1933.\u003c\/p\u003e\u003cp\u003eBrigman printed in the Pictorialist manner, which means detail gives way to tone. Edges stay soft, the range between light and dark stays deliberately narrow, and the result reads as weather rather than record. That is what makes work from this school sit well in a quiet room: it holds a wall without demanding the whole of it, and it changes character as the daylight moves.\u003c\/p\u003e\u003cp\u003eEach piece is printed to order and stretched over a 1.25 inch solid wood frame, with the image continuing around the edges. It arrives ready to hang, no framing required, in three vertical sizes. The source file is an open-access reproduction of a photograph now in the public domain, and the original print remains in the Museum's collection.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMedium: matte canvas, stretched over a 1.25 inch solid wood frame\u003c\/li\u003e\n\u003cli\u003eOrientation: vertical\u003c\/li\u003e\n\u003cli\u003eSizes: 12×18in, 16×24in, 24×36in\u003c\/li\u003e\n\u003cli\u003eFinish: monochrome reproduction, matte surface\u003c\/li\u003e\n\u003cli\u003eHanging: arrives ready to hang, no frame required\u003c\/li\u003e\n\u003cli\u003eArtwork: Anne W. Brigman, Thaw, 1906, gelatin silver print\u003c\/li\u003e\n\u003cli\u003eOriginal held by the Metropolitan Museum of Art, Alfred Stieglitz Collection\u003c\/li\u003e\n\u003cli\u003ePrinted to order, shipped from the nearest production partner\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Printify","offers":[{"title":"12″ x 18″ (Vertical) \/ 1.25\"","offer_id":46550309372001,"sku":"18204613341550095705","price":99.99,"currency_code":"CAD","in_stock":true},{"title":"16″ x 24″ (Vertical) \/ 1.25\"","offer_id":46550309404769,"sku":"29226341919490310762","price":129.99,"currency_code":"CAD","in_stock":true},{"title":"24\" x 36\" (Vertical) \/ 1.25\"","offer_id":46550309437537,"sku":"14992179586520865566","price":174.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/2784\/1889\/files\/1002979842684162245_2048.jpg?v=1789370233"},{"product_id":"the-favorite-cat","title":"The Favorite Cat — Nathaniel Currier, c. 1840","description":"\u003cp\u003eNathaniel Currier printed The Favorite Cat in New York some time around 1840, a decade before the firm became Currier and Ives and started turning out the winter scenes and clipper ships that made it famous. This is a hand-coloured lithograph: the image was printed in black from a stone, then the colour was brushed on by hand, sheet by sheet, usually by women working an assembly line for a few cents apiece. The Metropolitan Museum of Art holds this impression, which came to it in 1962.\u003c\/p\u003e\u003cp\u003eIt is the odd one out in this collection, and deliberately so. Everything else here is a photograph in quiet greys; this is a piece of popular American printmaking with real colour in it, and a cat sitting with considerable self-regard. Hand-colouring gives it a softness that mechanical printing never quite manages, the pigment sitting slightly off the lines in places. It works where a room needs warmth and a bit of humour rather than another study in restraint.\u003c\/p\u003e\u003cp\u003eEach piece is printed to order and stretched over a 1.25 inch solid wood frame, with the image continuing around the edges. It arrives ready to hang, no framing required, in three vertical sizes cut close to the proportions of the original sheet. The source file is an open-access reproduction of a lithograph now in the public domain.\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eMedium: matte canvas, stretched over a 1.25 inch solid wood frame\u003c\/li\u003e\n\u003cli\u003eOrientation: vertical\u003c\/li\u003e\n\u003cli\u003eSizes: 12×16in, 18×24in, 24×32in\u003c\/li\u003e\n\u003cli\u003eFinish: full-colour reproduction, matte surface\u003c\/li\u003e\n\u003cli\u003eHanging: arrives ready to hang, no frame required\u003c\/li\u003e\n\u003cli\u003eArtwork: Nathaniel Currier, The Favorite Cat, c. 1840-50, hand-coloured lithograph\u003c\/li\u003e\n\u003cli\u003eOriginal held by the Metropolitan Museum of Art, bequest of Adele S. Colgate\u003c\/li\u003e\n\u003cli\u003ePrinted to order, shipped from the nearest production partner\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Printify","offers":[{"title":"12″ x 16″ (Vertical) \/ 1.25\"","offer_id":46550318350433,"sku":"29266653604871193437","price":89.99,"currency_code":"CAD","in_stock":true},{"title":"18″ x 24″ (Vertical) \/ 1.25\"","offer_id":46550318383201,"sku":"32826137161173895637","price":134.99,"currency_code":"CAD","in_stock":true},{"title":"24\" x 32\" (Vertical) \/ 1.25\"","offer_id":46550318415969,"sku":"26955727204667078056","price":169.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/2784\/1889\/files\/12441956657898637008_2048.jpg?v=1789372087"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0651\/2784\/1889\/collections\/main-image.jpg?v=1787985930","url":"https:\/\/norvens.ca\/collections\/prints-amp-posters.oembed","provider":"Norvens","version":"1.0","type":"link"}